Katherine Guerrier Retrospective Quilt Exhibition, Wales, September 2014

'Stars and Scraps' Quilt by Katherine Guerrier 

All summer I have been trying to get to an exhibition of quilts 'Adventures in Colour' by Katherine Guerrier, author of one of my favourite quilting books 'Scrap Quilt Sensation'.  Today was the day.

'Triangle Directions' Quilt by Katherine Guerrier

As you will see from the photos, her work is all about colour.  Katherine has done workshops at my local quilt shop, Busy Bees Patchwork in Newport, Wales, and I saw several interpretations of her work on display in one of their exhibitions a few years ago. (BTW - Good news! Busy Bees Patchwork is up and running again, just around the corner from their old shop near Tredegar House (National Trust), they also have an online shop).


'Strictly Triangles' Quilt by Katherine Guerrier

I took a close up of one of my favourite quilts, 'Strictly Triangles' because it really shows the mix of scraps she includes in her scrap quilts.  I love this quilt.  It is made up from scrappy half square triangles.

'Strictly Triangles' Quilt by Katherine Guerrier

The exhibition is at the Rhondda Heritage Park (CF37 2NP) in Wales, and will be on until September 19th, 2014.  The exhibition is displayed upstairs next to the café, and entry is FREE. If you can't make it to the exhibition her book is great inspiration.

Zig Zag / Chevron Quilt - Kaffe Fassett, Philip Jacobs Fabrics

Zig Zag / Chevron Quilt - Kaffe Fassett Philip Jacobs, Westminster fabrics

A few weeks ago I shared my purchases from the Festival of Quilt 2014.  It included a bundle of Kaffe Fassett fabrics for 'a quilt' which I felt I needed to get out of my system.   Having seen the display of Kaffe Fassett quilts in Lampeter, Wales, last summer, I realised that his fabrics do most of the talking and piecing and quilting take a bit of a backseat. On closer inspection of the fabrics - not all the fabrics are Kaffe Fassett, some are by the fabric designer, Philip Jacobs, but all of them are the same style and tones, all produced by Westminster Fabrics.

8 inch squares for half square triangles

With all that in mind I opted for a simple strong design using just half square triangles in a zig zag layout.  No pattern, just a few rough calculations on the back of an envelope and off I went.  As you know, I usually work with quite small pieces, but for this Chevron Quilt I cut 'huge' 8 inch squares (50 blue, 50 pink), to make 100 half square triangles (HSTs).  I had about 9 different fabrics for each colour.  I had some fat quarters, some long quarters and some half metres.  I managed 4 squares from a fat quarter and 5 from a long quarter, with some smaller bits left over.  I did my best to straighten the fabric before I cut the squares, which I managed to do to my *own* standards.  Once cut I paired up the pink / blue squares and marked a diagonal as a guide for stitching. 

Half Square Triangles - Kaffe Fassett fabric

Stitching on the machine, I took my time to pin the pieces thoroughly to make sure the points met.  I even resisted giving each block a good press with the steam iron, which is my usual approach, allowing the blocks to ease into place. It all came together very quickly, which is in contrast to my Nearly Insane quilt which I have been working on since February 2013! 

Zig Zag / Chevron Quilt - Kaffe Fassett Philip Jacobs, Westminster fabrics


The finished quilt top is 72" x 72", and I think this has to be a first - I have actually made a quilt top in the same month as purchasing the fabric!  As you reach for your sunglasses, you can see the colours are quite exuberant, but with signs of autumn on the way a bit of exuberance maybe just what we all need.

Linking up with Freshly Pieced WIP Wednesday and Crazy Mom Quilts

Constructing the Nearly Insane Quilt - Update #1

 

Nearly Insane Quilt - Construction

I have been working on a few different projects lately so I just wanted you all to know that the Nearly Insane Quilt has not been forgotten.  This is the progress so far in terms of putting it together. I love the look as each row gets added, but it takes a long time when you are hand sewing.  What I have done so far seems to be just a drop in the ocean for this stage.


Nearly Insane Quilt (reverse) - English Paper Piecing


I thought I would show you a picture of the back.  Yes, all the English paper pieces are still in which is allowing me to keep it dead straight and dead flat.  Until the moment when it is ready to be quilted I am really reluctant to remove the paper, the bias on this quilt is CRAZY!

The stitching on this is SO slow that I am almost a day late for Slow Stitching Sunday  but right on time for Deign Wall Monday.

Anna Maria Horner meets Victoria Finlay Wolfe meets Celtic Solstice - Triple Whammy Mini Scrap Quilt Project

'Celtic Solstice Feather' 18.5 cm x 38cm

I expect many of you will recognise this pattern.  It is an Anna Maria Horner feather pattern which can be downloaded FREE from her website.  I have admired these feathers for a long time and the design was subconsciously on my To-Do list.  I think I only needed to do one to get it off the list.

'Celtic Solstice' Fabric Scrap basket

This basket of scraps has been looking at me since January from when I completed Bonnie Hunter's 'Celtic Solstice' Mystery Quilt.  I just needed the right project to use them up.  Just one of these lovely feathers would be the fix I needed.  I slightly reduced the size down to 90%, as I originally intended it to be a mug rug 'sort of thing'.  Now it is complete I might hang it on a wall.

Foundation pieced feathers

Because the scraps really were 'scraps', the lengths were quite short, some thin, so a whole family of feathers were not really the order of the day.  Using pages from an old Radio Times for my foundation paper, I randomly stitched down the strips, and then cut out the feather pattern.

Feather - Anna Maria Horner pattern

I love how the unruly scraps have been tamed into this shape, a shape that reminds me of a school tie.  It looks so neat.  The pattern was quite easy to put together and dragged my dormant dressmaking pattern cutting skills back out into the workroom.

'Celtic Solstice Feather'

After lots of auditioning from my fabric stash I decided to set my 'Celtic Solstice' Anna Maria Horner feather off with a  Moda 'Weave' #9898 grey fabric (I think I will need to add more of this to my stash), and a binding of a pink spotty fabric from the Chez Moi 'Boutique' range.

'made fabric' for quilt backing

For the back I wanted to try out another technique. This time is was Victoria Findlay Wolfe's 'made fabric' from her book ' 15 Minutes of Play'.  Again, the idea was to use up the scraps from my Celtic Solstice quilt.  I did this all from memory without actually taking the time to take the book off the shelf.  It took quite a while (more than 15 minutes ...) as I got caught up in quite a few cul-de-sacs, but I got there in the end.


Back of mini feather quilt

Here is the back of the mini quilt using the 'made fabric'.  I machine quilted it with a stipple, but I will admit that some of the seams of the 'made fabric' provided quite a lot of resistance and it would not be a backing fabric of choice in the future.

So, something a bit different here from Fabadashery.  Have you tried anything new today?
 

Pets On Quilts 2014

Suzi - A Pet on a Quilt

The GOOD news:
Pets on Quilts voting is OPEN. Voting is open for a week, starting Tuesday 12th August.

The BAD news:
Suzi and I just didn't make the deadline this year, so you can't vote for her, but here is a picture anyway.

More GOOD news:
Every Friday is Feline Friday over at Sarah Did It!
 

Festival of Quilts 2014 - Shopping

As I knew I was going to the Festival of Quilts for two days this year, I planned ahead and actually wrote a shopping list to work from which included a few projects I have in mind.


Kaffe Fassett Fabrics

I don't have many pieces of Kaffe Fassett fabric in my stash as I have found it hard to blend them with other ranges.  They only seem to work with other Kaffe Fassett fabrics.  So I decided if you can't beat them, join them.  The plan is to use these blues and reds in a chevron / zig-zag quilt.  Doughty's were selling them at a good price and I think I just need to get this little Kaffe project out of my system.

Foltvilag English Paper Piecing Templates

In a previous edition of Quiltmania magazine I had noticed a shop in Europe selling tiny plastic templates for English Paper Piecing.  Well, they were at the show. Foltvilag are based in Hungary and sell these versatile patchwork templates.  With all my Nearly Insane blocks completed I have a couple of jars of scraps staring at me and I thought these shapes would be an incentive to use them up.  These templates are tiny, but there were smaller ones (and larger ones) available in a variety of shapes. When it gets tiny, paper sometimes just isn't man enough.In addition there is a Foltvilag YouTube channel which demonstrates how to use them.


Oakshott Fabrics

Oakshotts were there.  I succumbed.  I don't know how long it will be until I can bear to untie the ribbon and actually use these lovely fabrics.

Others things went into my bag including a new seam ripper, a new machine cleaning brush and some Superior Threads Bottom Line to try in my machine.

Festival of Quilts 2014 - Focus on Medallion Quilts

When I go to a show there is usually a theme which is my current 'flavour of the month'.  This time at the Festival of Quilts in Birmingham I was focussing on medallion quilts.  I like the idea that you can use lots of different techniques and fabrics in one quilt.  I especially like the mystery 'Round Robins'.

'My Love fro Liberty' by Tracy Alpin

This quilt by Tracy Alpin uses Liberty fabric - always a winner.  It also caught my eye as I have been looking at spool blocks lately, as I like the sewing related idea behind them.  The Liberty colours are always so attractive.


'Turning 40' by Rebecca Handyside

I love the centre panel in Rebecca's quilt.  It has plenty of white around it to show off the appliqued flower.  She also used this space to show off some lovely quilting.  The colours are lovely.

'Yorkshire Quilt' by Pam Lofthouse

This medallion quilt by Pam Lofthouse is based on the Mrs Billings coverlet.  To me, the colours she has used make it look more graphic and modern than other interpretations I have seen.  It must have been fun watching it grow.


'Gargantuan' by Mary Cunningham and Maggie Kingston

I haven't done much applique myself, but I love the applique centre which is the focus of this quilt by Mary Cunningham and Maggie Kingston.  I can see applique, churn dash blocks, log cabin, flying geese - it's all in there.  That is what I love about medallion quilts.  Again, quilted beautifully to enhance the piecing.


'V and A Postcard Quilt' by Jean Phillips and Andrew Whittle

This medallion quilt is made from over 10 years worth of Kaffe Fassett fabric scraps.  Kaffe Fassett fabrics are always bold, and always seem to produce a bold quilt.  It must have felt great to use up all those scraps and a good excuse to go and buy some more!

Festival of Quilts 2014



'Fish at Sea' by Pam Stainer

Last week it was the 2014 Festival of Quilts at the NEC, Birmingham.  This is the biggest annual quilt show in the UK, and being based right next to Birmingham airport, it allows a lot of people to fly in from all over Europe. This year I decided to go for two days, as one day never seems enough to see the all the quilts and make the most of all the stalls.  Here are some of the lovely quilts I saw.


'Dreamtime' by Antonia Hering, The Netherlands

This was one of my favourite quilts from the Contemporary category.  The quilt depicts an aboriginal story of 3 sisters in the Blue Mountains in Australia, and features the 'dot painting' that you see in traditional aboriginal art.


'Dreamtime' by Antonia Hering, The Netherlands

From the close-up you may be able to see that every dot is appliqued on - 7500 in total.  The quilt was totally hand quilted, hand appliqued - totally handmade.  It has won prizes in quit shows all over the world.  I'm glad lots of people have got to see it - it is absolutely amazing.


'Hip Hip Hooray II' by Jacqueline Amies


I love repeat patterns.  This small contemporary quilt by Jacqueline Amies was made with cotton sateen and raw edge applique.  It was inspired by the shiny black hips seen in the countryside of Hampshire.  A simple idea, extremely well executed. I love it.

'Not the Darts of Death' by Sue Dawson

More repeats. This one was made up from silk scraps, with very fine black inserts for the outlines.  Some of the silk scraps were very dated, but completely brought up to date with this modern design.


'Big Bang' by Carmen Arevalo Sanchez and Silvia Gonzalez Medina

I rarely work with these bright colours myself, but I am always attracted by their freshness.  In fact I realised when I got home that I liked this quilt so much I had taken two photographs of it! The coloured triangles were made out of a 'Jelly Roll Race' flimsy and arranged in a 'Big Bang'.


'Big Bang' by Carmen Arevalo Sanchez and Silvia Gonzalez Medina

Again a simple design, but what really made this quilt was the quilting - yes, quilting REALLY does make the quilt.  The white space was divided up and different patterns were used to make different textures. Brilliant.


'Codes and Secrets' by Hilary Gooding

More clever ideas.  Hilary Gooding has decorated this Frieda Anderson fabric with bar codes, QR codes, and more subtly, with braille quilted into the quilt.


'Codes and Secrets' by Hilary Gooding



'The Good Life' by Philippa Naylor

This quilt by Philippa Naylor won first prize in the Traditional Quilts category.  Every inch of this quilt design was planned out with great thought and stitched with great care. It seems perfect in almost every way. 


'Flourish on the Vine' by Kathy Wylie, Canada

This quilt by Kathy Wylie also had an enormous amount of detail, technique and design.  It was beautiful.  I can only imagine that it missed out on a prize as it was entered in the Contemporary category.


'Raconteur the Storyteller's Collection' by Cinzia White, Australia

Here is one for all you hexagon fanatics out there.  This quilt by Cinzia White, Australia, has 13,972 pieces in 363 blocks, which are QAYG (quilt as you go)


'Raconteur the Storyteller's Collection' by Cinzia White, Australia

Some of the 2" hexagons have nearly 150 pieces in them!


'Omaggio a Gerda Bentsson' by Laura Armiraglio, Italy

Finally, here is a lovely quilt by Laura Armiraglio.  As well as the natural theme, the border was made out of hessian, and the quilting was really organic.

All good stuff.
 

August 2014 - Nearly Insane Quilt Update

Nearly Insane Quilt - All blocks complete!

As promised, here is the latest photo of my red and white Nearly Insane quilt laid out with all the blocks in their official place, along with all the sashing and cornerstones complete.  I am aware that from this photo, in internet land, it looks complete.  It is not.  I have to sew it together, I need to complete the zig zag border, I need to sew on the borders.  Then I need to quilt it ...


Nearly Insane Quilt - Red and White

In this picture you can see 422 blocks (including the sashing and cornerstones) and to lay it out accurately actually takes quite a long time.  This is perhaps the biggest motivation to get it sewn together - I can't wait to have it one piece. When I started laying it out the weather was overcast which I have found the best light for taking photos.  However, by the time it was laid out, the sun had come out and was beaming through the skylights above, making an uneven light for photography.  It lay on the floor for most of the afternoon until the light was right, without any cat interruptions.


Nearly Insane Quilt - Electric Quilt Plan

The Electric Quilt layout has been updated on the side bar.  Here you can see more clearly my progress on the zig zag border.  Even though those bits are not complete, it is reassuring to still have some hand stitching over the next few weeks.


With so many blocks it is difficult not to have a few favourites.  Here are a selection of mine, Blocks 8, 9, 16, 24, 37, 75.  As I have said all the way through, the ones with the most pieces have allowed more creativity in the design, and are like mini quilts in themselves.  Although all the blocks are done, there are a few early ones which have some errant fabrics in them, which I am seriously considering re-doing.  If I don't I will only regret it.

Here are the statistics for the quilt so far ....

Blocks = 85 (100%)

Edge blocks = 28 (100%)

Cornerstones = 85 (100%)

Half Cornerstone = 28 (100%)

Sashes = 196 (100%)

Border Units = 27 (26%)

And here are the sums for how many pieces I have sewn so far. 

Blocks and Edge Blocks = 4903

Cornerstones = 765

Half Cornerstones = 168

Sashes = 196

Border Units = ?

TOTAL = 6032

With all these blocks done its time to join up with Finish Up Friday! and WIP Wednesday Confessions of a Fabric Addict.

Quilting Milestones - Nearly Insane Quilt



Nearly Insane Quilt - Cornerstones

As you may know I have been trying to get all the bits of my Nearly Insane quilt done so that I can start getting it together.  In the past few weeks 'life' has been doing its best to get in the way, but I have persisted, even if it meant just doing a few stitches a day.  My little 2" cornerstones have pushed me the most.  There were 85 to complete, each with 9 pieces, a total of 765 pieces.  As I took the final stitch in the final cornerstone, I was almost deafened by the silence - where was the trumpet fanfare?



Nearly Insane Quilt - Cornerstones

I soon realised there wasn't going to be one to mark this milestone, so my husband opened up a bottle of fizz to help me celebrate.  Everything is now ready to lay out the quilt for the first time.

 

Nearly Insane Quilt - Block 16

Nearly Insane Quilt - Block 16

OK friends - this is the last block completed!
Actually it is not.  


Nearly Insane Quilt - Block 16

Here is a photo of the original Block 16 in Liz Lois 'Nearly Insane' book.  I looked at it for a long time.  I tried lots of fabric combinations but nothing was working for me.  In the end I decided I deserved to design my own block as a reward for completing the quilt, so the original was abandoned and I created the block which you can see above.  I didn't slouch - the original had 39 pieces, my design has 88 pieces. Yet again I am leaving an indisputable trail of evidence for when the Nearly Insane police arrive ...

I wanted to include some of the scraps which are lingering in my red and white scrap jars which I used for the zig zag border on the block.  To be fair these little pieces didn't make much of a dent into the scraps, so I am going to have to choose a lot of tiny red and white scrap quilts to do in the future.

So what next?
Once all the bits for the main quilt are done I will lay it all out and you will all get to see the full layout for the first time. Maybe in the next few days ...

NUMBER OF PIECES:  88
DIFFICULTY: 2/10
SMALLEST PIECE: Triangle, 3/4"  (18mm) x  1/2"  (14mm) x  1/2"  (14mm)
LARGEST PIECE: Rectangle, 4"  (102mm) x  1/2"  (14mm)
TECHNIQUE: English Paper Piecing (EPP)
FABRICS:
Cherry Sketch Basic Collection by Timeless Treasures #C8224
Christmas Past  (#14547) by Polly Minick and Lauri Simpson for Moda
Pinking Shears Cream Apple Red, Mama Said Sew, Sweetwater, Moda
Tried and True Raindrops Garnet(04273) by Nanacy Halvorsen, BenartexCream
Spraytime (Scarlet) by Makower #2800-R06
Red fabric scraps
Calico