Showing posts with label Electric Quilt Software. Show all posts
Showing posts with label Electric Quilt Software. Show all posts

Tuesday 18 March 2014

Nearly Insane Quilt - Draw 22


Nearly Insane Quilt - Blocks 24, 73, 79
Nearly Insane Quilt - Blocks 24, 73, 79
Crikey, we are on Draw 22!  I think that this means about 75% of the blocks have been done.  You can see from the Electric Quilt image below that there are more red squares than white ones, which can only be a good thing.
Nearly Insane Quilt - Electric Quilt 5 Software

Here are the next blocks that have been drawn
23 - 25 - 46 - 89
 

Wednesday 15 January 2014

Nearly Insane Quilt - Block 22


Block 22 - Nearly Insane Quilt Block
Block 22 - Nearly Insane Quilt Block
It feels like this block has taken a long time to do.  The six inch block has about 133 pieces in it, so it is not surprising it took time.  As it was coming together it was looking a bit messy, but now it is completed and pressed, I quite like it (do I say that about all of them?).


Block 22 - Nearly Insane Quilt Block Flying Geese
Block 22 - Nearly Insane Quilt Block
When I was making the colour selections in my Electric Quilt software, I wanted to create a different pattern from the traditional flying geese look.  I think the result is quite interesting, a bit like an optical illusion. The border is made up from flying geese blocks which are just over half an inch deep, which you can see from the detail, but the impact of the pattern is quite different from a distance.
 
BTW: Did you see that Bonnie Hunter is on her way to England?  The trip she is on covers most of the key quilty places in the UK, and ends up at the Festival of Quilts in Birmingham, where I exhibited my Red and White Pinwheel quilt last year.  Knowing she will be there in August I feel the pressure to get one of her mystery quilts quilted and entered into the show!

NUMBER OF PIECES:  133
DIFFICULTY: 4/10
SMALLEST PIECE: Square 1/2" (13mm) x 1/2" (13mm)
LARGEST PIECE: Strip, 1/2" (13mm) x 2 1/2" (77mm)
TECHNIQUE: English Paper Piecing (EPP)
FABRICS:
Calico
Cream Bias Check Mama Said Sew by Sweetwater for Moda  #5495 11
Cherry Sketch Basic Collection by Timeless Treasures #C8224

Somerset Shirtings c 1890 by Julie Hendrickson and Nancy Gere, Windham Fabrics # 35205
"Berry Falling Snow" by Kate Spain for Moda #27127-11

Sunday 5 January 2014

Part 6 - Bonnie Hunter's Celtic Solstice Mystery Quilt 2013, the BIG REVEAL

Celtic Solstice Mystery Quilt 2013 (Bonnie Hunter) completed
Celtic Solstice Mystery Quilt 2013 (Bonnie Hunter)
Firstly, a BIG THANK YOU to Bonnie at Quiltville for the 2013 Celtic Solstice Mystery quilt.  Another lovely quilt pattern, an exciting journey shared with quilters all around the world and an excuse to sew over the holidays. What a beautiful result!

Celtic Solstice Mystery Quilt 2013 (Bonnie Hunter)
Celtic Solstice Mystery Quilt 2013 Quiltville
Here is my version.  I wanted a 'summer' quilt, and I think I have achieved that.  I am also really pleased that Bonnie gave us two sizes to choose from.  I went for the smaller size, which is plenty big enough for my needs.
Celtic Solstice Quilt - Electric Quilt software Mystery 2013
Celtic Solstice Quilt - Electric Quilt software
As I usually buy fat quarters, I didn't have enough matching fabric to do a wide border, and in the end decided to experiment with a few ideas using my EQ5 software to work out what was feasible. There was a long auditioning process...
Celtic Solstice Mystery Quilt - Borders 2013
Celtic Solstice Mystery Quilt - Borders
In the end I have got a 1.5" neutral inner border, the pieced border laid out in a dog tooth border pattern, then another 1.5" neutral border, and finally a green patterned binding.  The binding is a Kaffe Fassett "Lime Paperweight" print which I have included in the quilt.  At the moment I don't have enough for the whole binding, so I need to source some before I can go any further.
Marbleous Jacquard - Robert Kaufman fabrics #6595
Marbleous Jacquard - Robert Kaufman fabrics #6595
The neutral I am using for the borders is a Marbleous Jacquard fabric by Robert Kaufman.  There is a different weave within the fabric which adds a slight texture to the print.  You don't see them very often, so when I do I snap them up.  Because of the different weave, they do tend to fray a bit, so until I am ready to quilt the Celtic Solstice quilt, I am going to pin the fabric to the quilt top and add it when that moment arrives.  No promises when that will be ...

Bad Example - Missing points! machine quilting
Bad Example - Missing points!
As you know I am usually hand piecing my Nearly Insane quilt.  With the English paper piecing method it is really easy to make sure all your points match, and to man handle pieces to fit it together.   
Good Example - matching points machine quilt piecing
Good Example - matching points
With the machine, making the points match ALL the time seemed to be impossible.  I think the split square triangles were the cause of most of the problems.  Some of them seemed to have had lost their seam allowance, so it made it impossible to match up. Bonnie says this is OK.  I had to lie down for a bit.  I enjoy joining in the Mystery quilt to use my machine, but it does remind me how much more control I have when I hand stitch.

Celtic Solstice Mystery Quilt 2013 Bonnie Hunter
Celtic Solstice Mystery Quilt 2013
For now, this is it on the Celtic Solstice Mystery quilt.  I was going to piece the back, but am going to wait until I decide how I am going to quilt it first.  
 

Monday 2 December 2013

Nearly Insane Quilt Update - 100th Follower Edition

Nearly Insane Quilt - December 2013 Update
Nearly Insane Quilt - December 2013 Update
I am pleased to announce that Fabadashery has its 100th Follower!  Welcome Tina, and ohh look, here comes the 101st, Jennifer.  Since 90% of this blog is about the progress of the Nearly Insane (Salinda Rupp ) Quilt, as a treat for all the Followers, we get to have a Nearly Insane Quilt update.

Nearly Insane Quilt - December 2013 Update
Nearly Insane Quilt - December 2013 Update
I don't have a design wall (I don't think the EPP blocks would stick anyway ..), so I use a design floor.  I had to stand on the table, lean at an awkward angle, and hope for the best when taking the picture. When I do the updates, I don't place them in their final spot, it is a bit of a free for all.  However, this time I have laid it out showing its final width, which is about 7 blocks across.  Do you notice anything different since last time?  A few weeks ago I changed Block 30, as I felt it was not fitting in.  I think it is looking better this time around.

English Paper Piecing - Nearly Insane Quilt
English Paper Piecing - Nearly Insane Quilt
I am also building up quite a collection of blocks, and the total so far are looking like this
48 Blocks
17 Edge blocks
30 Cornerstones
10 Half Cornerstone
105 Sashes
09 Border Units
And here are the sums for how many pieces I have done so far. 
Blocks and Edge Blocks = 2682
Cornerstones = 324
Sashes = 105
Border Units = 31
TOTAL = 3142
Electric Quilt - Nearly Insane Quilt, December 2013v
Electric Quilt - Nearly Insane Quilt, December 2013
This is how the Electric Quilt design is looking at the moment, and as always, it is updated on the sidebar regularly.  It still looks like there a lots of gaps to fill, but according to my sums, we should be 3/4 of the way through in the next few weeks - Celtic Solstice allowing!

Friday 27 September 2013

Nearly Insane Quilt - Block 68 visits the Elan Valley, Wales

Block 68 - Nearly Insane Quilt at the Elan Valley, Wales
Block 68 - Nearly Insane Quilt at the Elan Valley, Wales
As you know, my blocks tend to travel far and wide, and recently Block 68 has travelled to Mid-Wales to the Elan Valley, and here it is posing with one of the reservoirs in the background.  
Nearly Insane Quilt - Block 68
Nearly Insane Quilt - Block 68
When preparing this block in my Electric Quilt software, I wasn't really happy with Salinda's design, so it has gone through a few alterations.  The centre strip was originally small strips, it is now it is a set of five QST's.  Also the long strips have been divided into three. In fact, now that I have referred to the original diagram, I have changed it quite a bit ... my prerogative I guess.  Just in case the Nearly Insane police are out there, the original design had 32 pieces - I have increased it to 46.
Red and Cream fabric scraps
Red and Cream fabric scraps
With all the 'design' changes, it allowed me to make this another scrappy block.  My red and cream / white scrap jar provided me with plenty of options, and I love the way that the scrappy blocks bring the different tones of red together.

You may also be interested to know that I have started on Block 18.

Joining up with Crazy Mom Quilts!

NUMBER OF PIECES: 46
DIFFICULTY:3 /10
SMALLEST PIECE: Triangle, 1.25" (76mm) x 7/8" (23mm) x 7/8" (23mm)
LARGEST PIECE: Rectangle, 6" (152mm) x 3/8" (9mm)

TECHNIQUE: English Paper Piecing (EPP)
FABRICS: 

Scraps

Thursday 1 August 2013

Nearly Insane Quilt - Draw 10

Draw 9 Nearly Insane Quilt Blocks
Draw 9 Nearly Insane Quilt Blocks
Here are the latest Nearly Insane quilt bocks which I have already shown you, which were part of Draw 9.  I am near finishing the edge block and then I am ready for the next ones, so it is time to make the next Draw!  It takes a bit of time to choose the fabrics for each block, cut them out and get them ready for 'found moments'.

Random Nearly Insane Block Draw 10
Random Nearly Insane Block Draw 10

So, here they are                    37 - 63 - 67 - 96
Still none of those *really* Insane blocks, if fact these look pretty painless at first glance. 
I have spent a bit of time working on some ideas for Block 37, do you have a favourite from Option 1, 2 and 3?




Monday 15 July 2013

Nearly Insane Quilt - Block 72

Block 72 Nearly Insane Quilt
Block 72 Nearly Insane Quilt
I am very pleased with how Block 72 of my Nearly Insane quilt has come out.  I like the mix of tiny prints I have used, and they way they have a subtle tonal graduation. 
As you may have realised, I am doing the Nearly Insane quilt using the English Paper Piecing method (EPP), and like covering hexagons, covering the papers is the first stage of the process.  It is pretty mindless work, which is great to do if you want to keep your hands busy whilst watching TV, or travelling.  You can see that I am tacking it with green thread, which I like to leave in until I have got the whole quilt together.

Block 72, English Paper Piecing Nearly Insane Quilt
Block 72, English Paper Piecing Nearly Insane Quilt
I am very aware that when you see images on the internet, it can be difficult to gauge its actual size.  The completed block above is 6 inches (15 cm square), or the size of a very large slice of bread. With the pieces laid out, you may be able to make out some of the tiny pieces I am working with.  In this block there are some strips only 1/4 inch wide, and some more of those little triangles in the centre.
Miniature Pinwheel Block, Nearly Insane Quilt
Miniature Pinwheel Block, Nearly Insane Quilt

At the centre of the block is a tiny 1 inch square pinwheel, which grows and grows, until it becomes this very attractive 3 inch block, below, which has 24 pieces in it.  I must admit at this stage, I was really smitten with it, and was imagining making a whole quilt made up of 3 inch blocks. This Nearly Insane Quilt is right up my street, as I love working on these small complex blocks.

Centre 3 inch block, Nearly Insane Block 72
Centre 3 inch block, Nearly Insane Block 72

I know the Dear Jane quilt has 4 inch blocks, but does anyone know of any other sampler quilts which are made up of small pieced blocks?

NB #1: Just a note on this block.  In Liz Lois book, the size of the edge strips are irregular widths, which is how the Salinda Rupp quilt is made - I have tidied it up in my Electric Quilt software, making my own contribution to the design! 
NB #2: Just checked again, and I seem to have created the centre pinwheel too, which was originally a tiny four-patch

NUMBER OF PIECES:  56
DIFFICULTY: 4/10
SMALLEST PIECE: Triangle,11/16" (18mm) x 1/2" (13mm) x 1/2" (13mm)
LARGEST PIECE: Square, 1 1/2" (38mm) x 1 1/2" (38mm)

TECHNIQUE: English Paper Piecing (EPP)
FABRICS:
Quilters Basics Red and White, Stof

Somerset Shirtings c 1890 by Julie Hendrickson and Nancy Gere, Windham Fabrics # 35205
"Polka Party III" by Holly Holderman, Lakehouse Drygoods (#03035)Tiny Red Sprig print (unidentified)

 

Monday 27 May 2013

Nearly Insane Quilt - Draw 8

I am trying to get ahead of myself at the moment, so I have also made the next draw for my Nearly Insane Quilt.  Those blocks are

28 - 53 - 64 - 90

I have also updated the image of the overall progress I am making on the quilt, which is always sitting on the side bar of the blog.  I get this image from the Electric Quilt 5 software that I have.  It is easy to do, File - Export Snapshot, select the area you want to copy, and then I usually save it on the clipboard to open up in Photoshop.

Nearly Insane Quilt Progress
Nearly Insane Quilt Progress
May 2013

Considering it is all hand pieced, and that I only started it in February, I am please with my progress.

Monday 13 May 2013

Nearly Insane Quilt - Draw 7

Here are the latest blocks chosen for my Random Lucky Dip draw, which I use to determine which blocks I will do next in the Nearly Insane Quilt.

36 - 40 - 48 - 92

When I draw my Lucky Dip, I usually go straight to Liz Lois 'Nearly Insane' book, to see what they look like - how 'insane' are they going to be?
'Nearly Insane' Block Pattern book, by Liz Lois
'Nearly Insane' Block Pattern book, by Liz Lois
Then I move onto my Electric Quilt software, where I have already drafted out each block - and then I play.  There are so many combinations which I could choose from, I am almost glad I am sticking to  just red and cream!  
Working on Blocks in EQ5 Electric Quilt
Working on Blocks in EQ5
If there is a colour combination that I like, I either save it in my EQ Sketchbook, or simply take a picture of the computer screen on my iPad.  This allows me to compare the different options more instinctively, and once I am making up the block it acts as a quick reference for which fabrics should go where.
One of the reasons I am doing the project in batches, is so that I can get the fabric cut and prepared when I have more time at the weekend, in preparation for 'found moments' during my week, when I am usually working.
Electric Quilt Software Templates
Electric Quilt Software Templates
To include in the travel pack, I print off a full size Paper Template for cutting up into templates for each of the pieces, and a smaller Pattern Template sheet, as an indicator of which block I am making.  On the Fabric Template, Electric Quilt has its own indicators for each piece, but before I cut up the Paper Templates for my English Paper Piecing, I often mark which piece belongs to each fabric.  I have also found that if some of the pieces are asymmetrical, it is important to indicate which side is the front.  Once all this is done, I am set to go!

Nearly Insane Travel Packs English paper Piecing
Nearly Insane English Paper Piecing Travel Packs
As I make each draw, I am finding that fabric ‘fashions’ change quite quickly in my workroom.  Sometimes I want modern, sometimes traditional, sometimes I want it busy, sometimes more subdued.  Sometimes the blocks have a greater red influence, others a cream / white influence.  I think under the circumstances, my Lucky Dip works well, as each batch tends to have its own flavour, and by choosing the blocks randomly, they will eventually get mixed up together, rather than rows of what was in vogue at a certain time of making the quilt.  In contrast to my original thoughts, any attempts to make this a sophisticated, and refined quilt have slowly been going out the window, and I am more focussed on using as many fabrics as I can in the quilt. Scrappy is the name of the game!

Friday 19 April 2013

Nearly Insane Quilt - Block 57

I must have tried about 50 different fabric combinations for Block 57 for my Nearly Insane Quilt, using my Electric Quilt software - probably the time it would have taken to make the block in the first place.  There is another Ohio Star in there somewhere if you look closely.
In the end I have used the same pretty Apple fabric that I used for the Basket Block, Block 41, along with some French General fabric and a red daisy print, 'Kimono Ditzy' which I haven't had the chance to use yet.
It was easy to put together as most of the pieces were similar sizes and shapes, I just had to take care that everything was put in the right place.
Another block finished, ready for Draw 6.
Linking with Finish Up Friday!

NUMBER OF PIECES: 45
DIFFICULTY: 2/10
SMALLEST PIECE: Triangle, 1" (25mm) x 1" (25mm) x 1 3/8" (36mm)
LARGEST PIECE: Square 1 3/8" (36mm) x 1 3/18" (36mm)

TECHNIQUE: English Paper Piecing (EPP)
FABRICS: 

Kimono Ditzy (843) by Henley Studio, Makower UK
French General Favourites - Pearl  for Moda #13526 14
Apple Fabric - unidentified

Sunday 14 April 2013

Nearly Insane Quilt - Block 4

Block 4 - Nearly Insane Quilt Fabadashery
Block 4 - Nearly Insane Quilt
Another block completed for the Nearly Insane Quilt. Block 4 seems to be another Ohio Star 'variation'.  It was an easy block to construct, but choosing the colours for it seemed to take ages, and I am still not sure if I quite got it right.  It is amazing how much of your life you can waste on Electric Quilt!
On another note, whilst out and about at the weekend, I came across this card, which I just had to have  - I think it is a great ' Mission Statement' for my current project.

Don't Suffer from Insanity Enjoy It
NUMBER OF PIECES: 33
DIFFICULTY: 2/10
SMALLEST PIECE: Triangle, 1 1/16" (27mm) x 6/8" (17mm) x 6/8" (17mm)
LARGEST PIECE: Triangle 3" (76mm) x 2 1/8" (54mm) x 2 1/8" (54mm)

TECHNIQUE: English Paper Piecing (EPP)
FABRICS: 

Gingham by The Henley Studio for Makower #920
Red Pinwheel Cream Apple Red Mama Said Sew by Sweetwater for Moda  #5496 11
"Christmas Past" (14547) by Polly Minick and Lauri Simpson for Moda
Kona Cotton (Solid Red) by Robert Kaufman

Sunday 7 April 2013

Nearly Insane Quilt - Block 95

Edge Blocks - Nearly Insane Quilt
Edge Blocks - Nearly Insane Quilt
I thought I would give the Nearly Insane Edge blocks a little showcase of their own in this post.  As you can see four are now complete, including Block 95, which is the latest to the collection.

Block 95 is one of the edge triangles for the Nearly Insane Quilt.  I admit I have 'innovated' with this one (AGAIN!).  I was struggling to make the centre work, so I have adapted to make my own design, which involved more pieces.  Is this cheating?  (Note: I have just checked in Liz Lois book to see HOW much I have cheated.  It looks like I have innovated on the little nine patch too.)   There seem to be some Chinese whispers between the book, the Electric Quilt software, and me actually making it.  It works for me, and the Scarlet Spraytime is REALLY red and adds some punch to this one!

NUMBER OF PIECES: 26
DIFFICULTY: 3/10
SMALLEST PIECE: Square, 1/2" (12.5mm) x 1/2" (12.5mm)
LARGEST PIECE: Strip 1/2" (12.5mm) x 6 " (152mm)
TECHNIQUE: English Paper Piecing (EPP)
FABRICS: 
Pom Pom de Paris by French General for Moda #13575-13,

Spraytime (Scarlet) by Makower #2800-R06

 

Friday 5 April 2013

String Quilt Cat Mat - Easy Street Parking Lot!

Way back in January, I mentioned that I had plans to do a project with the scraps from my Easy Street Quilt, the online 2012 Mystery Quilt over at Quiltville.  However,  I woke up planning to do a machining project, and instead ended up with ALL my patchwork and quilting fabric out of my cupboard.  I had decided to reorganised my fabric stash. Several months down the line, I have revisited my original plans, and this week have produced a lovely new Cat Mat, which I am calling “The Easy Street - the Parking Lot”. 

String Quilt, Easy Street - The Parking Lot
String Quilt, Easy Street - The Parking Lot
In Bonnie K Hunter's book 'String Fling', she introduces her scrap user system, and a technique of using pages from an old telephone book as the foundation for stitching small scrap fabrics.  This was the technique I wanted to try out, but as my paper alternative, I had put aside the Christmas edition of the Radio Times, which by removing the centre staples has given me a double width of paper to stitch.  It has also highlighted to me how much of the Christmas period I spent on the Easy Street Quilt – I don’t  think I watched any TV!
2012 Christmas Edition Radio Times Cover Snowman Raymond Briggs
2012 Christmas Edition Radio Times - String Foundation Piecing
I did do a rough design in my Electric Quilt software, but I haven’t followed it slavishly, and instead have used my usual technique of muddling through trying to get everything the right size.  My colour scheme for Easy Street Quilt was Purple, Red and Green, with a Tan background, and most of my leftover scraps are pretty small, so my paper strips are only 3” wide. 
Easy Street Quilt Scraps Red Purple Green Fabadashery
Easy Street Quilt Scraps
Sewing the strips was easy on the machine, and I managed to get a production line going. I found it was better to remove the paper before tidying up the edges, as once cut, the stitching seam was not as strong to resist the ripping of the paper. 
String Foundation Piecing Pfaff 2058
String Foundation Piecing
As regular Followers will know, most of my work lately has focussed on hand stitching my Nearly Insane Quilt, so it seems like an age since I sat down at the machine (Note To Self: I really do need to set up a Leaders and Enders project, especially if Bonnie rolls out another Mystery Quilt at the end of the year!)  For the quarter square triangles, I tried to use the clever technique I used on my Broken Dishes Cat Mat, but my scrap pieces were too small and I had to cobble most of them together in a more ‘traditional’ method. 
Eventually, the quilt top came together, and was ready for quilting. 
I had some scrap polyester wadding to use, and I still had plenty of the Kansas Troubles 'Bound to the Prairie' fabric which I used for the backing on my Irish Chain Quilt, which I have used for the backing. Up close it is a lovely little print, but from a distance it looks like a murky porridge – however, murky porridge is good for hiding any less refined stitching when machine quilting…
Quilt Sandwich being Machine Quilted Pfaff 2058
Quilt Sandwich being Machine Quilted
My actual Easy Street Quilt has yet to be quilted, and part of this project was to gain some strength experience of machine quilting to tackle this large project.  I was recently inspired by a little quilting video tutorial on the Green Fairy Quilts blog, by Judi Madsen, which although aimed at long arm quilting, highlighted to me the importance of marking your quilt, and planning the design head.  Also, I decided to abandon the worry of getting the tension right for free machine quilting, and stuck with using my straight stitch with the feed dogs up.   I went for a simple channels of stitching in the squares, rotating it by 90 degrees on each quarter. 
Quilt Detail Fabadashery
Quilt Detail
I think for this little quilt, the quilting has worked well, and enhances the pattern nicely – just as it should be.   This cat mat is only about 20 inches square, but manoeuvring it on my domestic machine was not as easy as you would want it to be, which makes me think – how realistic is it going to be to get the full size Easy Street Quilt under it?  I think I need to sit down and work out a design, and be realistic about how long it is going to take.  One assumes that using a machine means it will be quick, but I think on this occasion, I need to put that assumption to one side.
To finish it off, I pieced together some binding from the scraps, machine stitching it on the back, and hand sewing it on the front. 
Cat Kitty sitting on quilt
Suzi the Cat on the new Cat Mat
I am really pleased with how it has turned out, but think I have enough projects in this colour combination for now.  It did reduce the scraps, but there are still plenty more.

The good news is, the Quality Control Department has already signed it off.

Featuring Feline Friday and Crazy Mom Quilts!

Tuesday 2 April 2013

Nearly Insane Quilt - Block 30

Block 30 - Nearly Insane Quilt Fabadashery
Block 30 - Nearly Insane Quilt
What I am enjoying most about the Nearly Insane Quilt, is that there is no time to get bored with repeating the same block, as each one presents a fresh challenge.  When planning this block I was going to change the direction of the HSTs, but once I remembered that the block would be on point, I changed my mind back.  I really like the use of stripes on this one.

I am really pleased that I loaded all my fabrics on to the Electric Quilt software, as it allows me to indulge in choosing the fabrics for each patchwork block.  The software has really worked well with this project because of this,  and I get to use it at least once a week.  Before, my experience of it was limited to designing a quilt, and then spending the next year making it!

PS: I have just done a really SILLY thing. I measured the finished size of the block.  It has turned out 6" x 6 3/16"  - that is a problem for another day!

NUMBER OF PIECES: 34
DIFFICULTY: 4/10
SMALLEST PIECE: Triangle,3/4" (19mm) x 3/4" (19mm) x 1 1/16" (27mm)
LARGEST PIECE: Rectangle 1/2" (12.5mm) x 6" (152mm)
TECHNIQUE: English Paper Piecing (EPP)
FABRICS:
Roc-Lon Unbleached Muslin
Kona Cotton (Solid Red) by Robert Kaufman

Red with White Dots, Makower
Weekend Rail Stripe Red by Swirly Girl Designs, for Michael Miller # 45533
Red pattern with white dot (unidentified)

Joining up with Connie at Freemotion by the River

Monday 25 March 2013

Nearly Insane Quilt - Cornerstones and Sashing

Cornerstone Sample, Nearly Insane Quilt
Cornerstone Sample, Nearly Insane Quilt
Now that I have started gathering a good set of blocks for the Nearly Insane Quilt, I have been putting my mind to the other elements in the quilt.  This past week the cornerstones and sashing have been the focus of my attention.  The original quilt has solid squares of colour at the point where four blocks meet on point, but with such little blocks, I felt it deserved something more delicate.
Cornerstone Sample, Nearly Insane Quilt
Crossed Canoes Block, Nearly Insane Quilt
Using my Electric Quilt 5 software, I searched for a block that would link the corners of the neighbouring blocks and came across this Crossed Canoe Block, which I have slightly adapted by making a completed square in the middle, rather than four triangles.  The cornerstones for the sashing, are just 2" square, and I will need to make 85 in total, plus a further 28 half blocks for the edge. I do like these little blocks, and imagine a quilt made of these, alternated with plain blocks?  As you can see I have only made one, so perhaps ask me about this idea once I have completed the other 84!
Nearly Insane Quilt Sashing 2" x 6", Unbleached Calico
Nearly Insane Quilt Sashing 2" x 6", Unbleached Calico
For the sashing I have kept it simple, by just using the unbleached calico for the 2" by 6" strips.  I think there are about 196 of these to do, so I intend to do a few as I go along, rather than a load at the end.  So with the cornerstones, sashing, half blocks and full blocks, this is the layout of how the quilt will be set. 

Cornerstones, Sashing, Blocks Setting, Nearly Insane Quilt
Cornerstones, Sashing, Blocks Setting, Nearly Insane Quilt
Joining Up with Design Wall Monday

Saturday 2 March 2013

Nearly Insane Quilt - Block 55

My quilting progress has been limited this week, but I do have a finish to share.  Using my travel time on the train I have been working on Block 55 of my Nearly Insane quilt. It's amazing how much you can get done on just a short journey, but with these little pieces, one false move and they could be travelling the length of the country!
English Paper Piecing on the train
English Paper Piecing on the train
Its a quirky little block, and I quite like it, and I have learnt a few techniques and ideas which will be useful for future blocks. 
Block 55 Nearly Insane Quilt Red and White
Block 55 Nearly Insane Quilt
Overall this block was not too difficult. Extra care was needed to make sure all the right pieces were in the right place. The striped pieces are asymmetrical, so you need to make sure you have got them the correct way around (I know because I had to unpick one!). Also, remembering that the blocks will be on point, I need to take extra care when cutting any directional fabric, to make sure everything is pointing in the right direction - my hearts seem to be all a flutter on this one.
Block 55 Nearly Insane - English Paper Piecing
Block 55 Nearly Insane - English Paper Piecing
I know that some future blocks are going to have over three times as many pieces as this block, but I think Block 55 is fairly unique in that the majority of the 46 pieces are all slightly different sizes.  To manage this, I numbered all the papers AND all the pieces of fabric, and for further control I used my Clover Wonder Clips to keep certain groups together.  BTW, I also noticed this week on the Keepsake Quilting website, that Clover are now making these clips in JUMBO SIZE.

Clover Wonder Clips English Paper Piecing
Clover Wonder Clips
So that block marks the completion of the ones chosen in my first draw. Having done this first set, I have had time to think about how to combine my fabrics on forthcoming blocks.  I have also put some thought to the border, sashing and cornerstones. On the side bar there is a thumbnail of the quilt, created in Electric Quilt 5 software, which shows my progress so far.

NUMBER OF PIECES: 46
DIFFICULTY: 3/10
SMALLEST PIECE: Square, 1/2" (7.5mm) x 1/2" (7.5mm)
LARGEST PIECE: Triangle, 1.5" (42mm) x 1.5" (42mm) x 2 5/16" (59m)
TECHNIQUE: English Paper Piecing (EPP)
FABRICS: Apple Red Text on Cream (#5490) "Mama Said Sew" Collection by Sweetwater for Moda
Songbird (C2863) by Carina Gardner for Riley Blake Designs
Hearts on Red (567-R5) Makower
Red Dots on White Fabric (Unidentified)
Scattered Red Stars on White (Unidentified)
Red and White Stripe (unidentified)

Celebrating this finish at Crazy Mom Quilts